Simone NelsonSimone Nelson
Melbourne Visual Artist
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Works on paper

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  • A timber model at 1:10 scale sits on the floor in front of its 1:1 scale drawing. The drawing traces the timber structure of the room in which the model sits, its reflection mirrorred in the timber floorboards. Pigment ink print on paper.

    1:10

  • Charcoal on paper rubbing of hidden square structure, paper is reminiscent of a veil due to the drawing process.

    1:10a

  • Soft grey charcoal rubbing on paper of hidden structure.

    1:10b

  • Series of velvety black charcoal rubbings arranged in a partial grid depicting the 11 ways a 3 dimensional model of the room can be flattened onto a two dimensional surface.

    11 Nets of the Room

  • Horizon line vanishing point alien landscape in black and white pigment ink print on paper.

    3:17pm

  • Five notated photocopies depicting various viewpoints within an architectural interior arranged in a partial grid.in a

    Circling the Room (Notation 3 Plan)

  • Photo collage from drawing installation depicting floating, layered, spatially disruptive corner section of architecture reflecting soft light from the unseen window. Pigment ink print on paper.

    Corner Section 1

  • Photocollage from drawing installation depicting floating, layered, spatially disruptive corner section of architecture. Pigment ink print on paper.

    Corner Section 2

  • Photo collage from drawing installation depicting floating, layered, spatially disruptive corner section of architecture. Pigment ink print on paper.

    Corner Section 3

  • Photocollage from drawing installation in each corner of the room comprising layered, disrupted floor reflecting soft light from the unseen window. Framed pigment ink print on paper.

    Floor Plan

  • Excatly half of the velvety black charcoal landscape format surface is broken by multiple, over-lapping erasure lines that intersect randomly as they cross to the edges of the surface to reveal the white paper beneath. Where multiple line intersect, sections of the work glow as the white of the paper beneath is revealed.

    Here and Now

  • Part of interior wall falling as the hand of an unknown witness reaches out to touch it. Reminiscent of film noir still. Black and white pigment ink print on paper.

    Interior Wall

  • A geometric pattern embedded in the sand of an island beach at the water's edge.

    Matsushima Island Nets

  • Photographic view of the industrial horizon at sunset, looking out from Matsushima Island across the Seto Inland Sea and the bridge that connects the Japanese Islands of Honshu and Shikoku, a single white cloud floats in the middle of a sky of soft blue, yellow and orange..

    Matsushima Sunset

  • Floor level view of drawing installation tracing the timber structure of the room. Pigment ink print on paper.

    Notation 1

  • A cross of black lines is formed across wood grain double cupboard doors as the measurements and notations their that indicate their horizontal and vertical dimensions intersect. Pigment ink print on paper.

    Notation a

  • A cross is formed by the intersection of the white pipe running along the white wall and the thin blue chalk line notation. Pigment ink print on paper.

    Notation b

  • Detail of multiple delicate, breath-like rubbings arranged in a partial grid revealing unseen structure with pencil on Japanese paper (mitsumata).

    Pencil on Mitsumata

  • Photocollage from drawing installation on the stone floor depicting floating, layered, spatially disruptied perimeter of the room reflecting soft light from the unseen window. Framed pigment ink print on paper.

    Perimeter

  • Drawing work of velvety black charcoal with imprinted burn-like marks indicating a boundary or perimeter.

    Perimeter 1

  • Four part drawing work of velvety black charcoal with imprinted burn-like marks indicating a boundary or perimeter.

    Perimeter 2

  • Diptych of velvety black charcoal with imprinted burn-like marks indicating a boundary or perimeter.

    Perimeter 3

  • Charcoal rubbing of ladder, heavily embedding its image in paper that becomes reminiscent of crumbling stone as a result of the drawing process.

    Spare Room Ladder – Portrait

  • Charcoal rubbing of ladder in profile, heavily embedding its image into paper that has become reminiscent of crumbling stone as a result of the drawing process.

    Spare Room Ladder – Profile

  • A woman in profile closes her eyes and bows her head to put on a mask against a background arc of light. Pigment ink print on paper.

    Task #3 – 15th August, 11:44 am

  • Two toned charcoal drawing with intersecting lines embedded in the paper to disrupt the space

    Untitled

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