Simone NelsonSimone Nelson
Melbourne Visual Artist
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Works on paper

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  • Floor level view of drawing installation tracing the timber structure of the room. Pigment ink print on paper.

    Notation 1

  • Charcoal rubbing of ladder, heavily embedding its image in paper that becomes reminiscent of crumbling stone as a result of the drawing process.

    Spare Room Ladder – Portrait

  • Charcoal rubbing of ladder in profile, heavily embedding its image into paper that has become reminiscent of crumbling stone as a result of the drawing process.

    Spare Room Ladder – Profile

  • A woman in profile closes her eyes and bows her head to put on a mask against a background arc of light. Pigment ink print on paper.

    Task #3 – 15th August, 11:44 am

  • A cross of black lines is formed across wood grain double cupboard doors as the measurements and notations their that indicate their horizontal and vertical dimensions intersect. Pigment ink print on paper.

    Notation a

  • A cross is formed by the intersection of the white pipe running along the white wall and the thin blue chalk line notation. Pigment ink print on paper.

    Notation b

  • Part of interior wall falling as the hand of an unknown witness reaches out to touch it. Reminiscent of film noir still. Black and white pigment ink print on paper.

    Interior Wall

  • Charcoal on paper rubbing of hidden square structure, paper is reminiscent of a veil due to the drawing process.

    1:10a

  • Soft grey charcoal rubbing on paper of hidden structure.

    1:10b

  • Series of velvety black charcoal rubbings arranged in a partial grid depicting the 11 ways a 3 dimensional model of the room can be flattened onto a two dimensional surface.

    11 Nets of the Room

  • Drawing work of velvety black charcoal with imprinted burn-like marks indicating a boundary or perimeter.

    Perimeter 1

  • Horizon line vanishing point alien landscape in black and white pigment ink print on paper.

    3:17pm

  • A timber model at 1:10 scale sits on the floor in front of its 1:1 scale drawing. The drawing traces the timber structure of the room in which the model sits, its reflection mirrorred in the timber floorboards. Pigment ink print on paper.

    1:10

  • Four part drawing work of velvety black charcoal with imprinted burn-like marks indicating a boundary or perimeter.

    Perimeter 2

  • Diptych of velvety black charcoal with imprinted burn-like marks indicating a boundary or perimeter.

    Perimeter 3

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