All 34 /Installation 7 /Notation Drawing Series 3 /Works on paper 27
Pigment ink print of three dimensional installation floating in corner of white room featuring black reflective discs that create an unusual spatial experience - triangular mirroring space.
A geometric pattern embedded in the sand of an island beach at the water's edge.
Two toned charcoal drawing with intersecting lines embedded in the paper to disrupt the space
Excatly half of the velvety black charcoal landscape format surface is broken by multiple, over-lapping erasure lines that intersect randomly as they cross to the edges of the surface to reveal the white paper beneath. Where multiple line intersect, sections of the work glow as the white of the paper beneath is revealed.
Photocollage from drawing installation on the stone floor depicting floating, layered, spatially disruptied perimeter of the room reflecting soft light from the unseen window. Framed pigment ink print on paper.
Photo collage from drawing installation depicting floating, layered, spatially disruptive corner section of architecture. Pigment ink print on paper.
Photocollage from drawing installation depicting floating, layered, spatially disruptive corner section of architecture. Pigment ink print on paper.
Photo collage from drawing installation depicting floating, layered, spatially disruptive corner section of architecture reflecting soft light from the unseen window. Pigment ink print on paper.
Photocollage from drawing installation in each corner of the room comprising layered, disrupted floor reflecting soft light from the unseen window. Framed pigment ink print on paper.
Installation drawing in black pencil notating the internal and external corners of the architecture whilst emcompassing the construction site adjacent.
Five notated photocopies depicting various viewpoints within an architectural interior arranged in a partial grid.in a
Detail of multiple delicate, breath-like rubbings arranged in a partial grid revealing unseen structure with pencil on Japanese paper (mitsumata).
Photographic view of the industrial horizon at sunset, looking out from Matsushima Island across the Seto Inland Sea and the bridge that connects the Japanese Islands of Honshu and Shikoku, a single white cloud floats in the middle of a sky of soft blue, yellow and orange..
Charcoal on paper rubbing of hidden square structure, paper is reminiscent of a veil due to the drawing process.
Soft grey charcoal rubbing on paper of hidden structure.
Installation of standard sized paper folded in half, torn and placed on a marked floor to create the interlocking pattern of the ISO 216 paper series as it diminishes in size.
Drawing installation using velvety black charcoal with imprinted burn-like marks indicating the perimeter of The University of Melbourne's Union House contained in one of the wall cabinets that is an architectual feature of the building.
Drawing work of velvety black charcoal with imprinted burn-like marks indicating a boundary or perimeter.
Four part drawing work of velvety black charcoal with imprinted burn-like marks indicating a boundary or perimeter.
Diptych of velvety black charcoal with imprinted burn-like marks indicating a boundary or perimeter.
Series of velvety black charcoal rubbings arranged in a partial grid depicting the 11 ways a 3 dimensional model of the room can be flattened onto a two dimensional surface.
Lengths of pine covered in marks of thick black and delicate grey, having been use as straight-edges and rulers rest against a wall. Looking along the line of timber, repeated windows of clean wood emerge from where the timber labels once sat.
Documentation of drawing installation that used black pencil and blue chalk stringlines to trace the timber structure of a room in a suburban house. Detail view of floor, cupboard and shirting board.
Floor level view of drawing installation tracing the timber structure of the room. Pigment ink print on paper.
A timber model at 1:10 scale sits on the floor in front of its 1:1 scale drawing. The drawing traces the timber structure of the room in which the model sits, its reflection mirrorred in the timber floorboards. Pigment ink print on paper.
Charcoal rubbing of ladder, heavily embedding its image in paper that becomes reminiscent of crumbling stone as a result of the drawing process.
Charcoal rubbing of ladder in profile, heavily embedding its image into paper that has become reminiscent of crumbling stone as a result of the drawing process.
Installation documentation of charcoal wall drawing process that took 1hr and 18 min to complete. .
A cross of black lines is formed across wood grain double cupboard doors as the measurements and notations their that indicate their horizontal and vertical dimensions intersect. Pigment ink print on paper.
A cross is formed by the intersection of the white pipe running along the white wall and the thin blue chalk line notation. Pigment ink print on paper.
Documentation of installation drawing looking down a staircase past a banister notated with white pencil to indicating its dimensions.
A woman in profile closes her eyes and bows her head to put on a mask against a background arc of light. Pigment ink print on paper.
Part of interior wall falling as the hand of an unknown witness reaches out to touch it. Reminiscent of film noir still. Black and white pigment ink print on paper.
Horizon line vanishing point alien landscape in black and white pigment ink print on paper.
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