Simone NelsonSimone Nelson
Melbourne Visual Artist
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2019

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  • A timber model at 1:10 scale sits on the floor in front of its 1:1 scale drawing. The drawing traces the timber structure of the room in which the model sits, its reflection mirrorred in the timber floorboards. Pigment ink print on paper.

    1:10

  • Charcoal on paper rubbing of hidden square structure, paper is reminiscent of a veil due to the drawing process.

    1:10a

  • Soft grey charcoal rubbing on paper of hidden structure.

    1:10b

  • Series of velvety black charcoal rubbings arranged in a partial grid depicting the 11 ways a 3 dimensional model of the room can be flattened onto a two dimensional surface.

    11 Nets of the Room

  • Horizon line vanishing point alien landscape in black and white pigment ink print on paper.

    3:17pm

  • Drawing installation using velvety black charcoal with imprinted burn-like marks indicating the perimeter of The University of Melbourne's Union House contained in one of the wall cabinets that is an architectual feature of the building.

    Perimeter

  • Drawing work of velvety black charcoal with imprinted burn-like marks indicating a boundary or perimeter.

    Perimeter 1

  • Four part drawing work of velvety black charcoal with imprinted burn-like marks indicating a boundary or perimeter.

    Perimeter 2

  • Diptych of velvety black charcoal with imprinted burn-like marks indicating a boundary or perimeter.

    Perimeter 3

  • Lengths of pine covered in marks of thick black and delicate grey, having been use as straight-edges and rulers rest against a wall. Looking along the line of timber, repeated windows of clean wood emerge from where the timber labels once sat.

    Pine Used As Straight-Edge Used As Ruler

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